When the SAS Royal Hotel in the Danish capital was finished in 1960, it was a marvel. It was Copenhagen’s first skyscraper and it is considered to be Arne Jacobsen’s principal work of architecture. The building was designed with two separate sections with different functions. The 22 story tower contains 275 hotel rooms and the lower horizontal building held the hotel foyer, a restaurant and a conservatory. Regardless of the fact that the building was situated in the center of Copenhagen, 14 kilometers from the airport, it was also an airport terminal. Here SAS passengers could check in their luggage and wait in the stylishly furnished lounge for the SAS airport shuttle to whisk them away to their flights.
In the end, the most remarkable result of the project wasn’t the building itself but rather the furniture that Arne Jacobsen designed for the hotel. Not only did he create the Egg, he also designed the Swan chair and the Drop chair as well as a wide range of other custom furniture, glass wear, textiles, cutlery and more, specifically for the hotel. Just like Gio Ponti in Italy, Arne Jacobsen preferred to design all aspects of a project himself. From the structure to the furniture and down to details like door handles.
In keeping with the design trends of the day, Arne Jacobsen was inspired by organic shapes the same way Eero Saarinen and Charles & Ray Eames were. Using the latest in materials and production technology he was able to create the remarkably organic shape of his sculptural Egg, intending to lend the visitors a calm space where the chair was placed in the bustling hotel lobby. In fact, he actually made the initial model just as you would a classic sculpture by adding and filing of material from the plaster model.
Product information
The size 40x50 cm (approx 16x20”) are signed and printed on Hahnemühle Photo Rag Bright White 310g archival paper and are sold in a limited edition of 50 prints.
The size 30x40 cm (approx 12x16”) are printed on Hahnemühle Fine Art Studio Enhanced 210g archival paper.