Massimo Vignelli was born in Milan in 1931. At the age of 14 he decided he wanted to be an architect and at 16 he started working as an architectural draftsman before attending Università di Architettura in Venice. Here he met his future wife and business partner Lella Vignelli, herself coming from a family of architects.

In 1956 Massimo Vignelli was commissioned by the already famous glass maker Venini to design a series of lamps. The company had already worked with Italian designers like Carlo Scarpa and Giò Ponti. This project was initially called 4040 Zaffiro a name that was later changed to Fungo thanks to the lamps mushroom shape. The collaboration with Venini lasted for a couple of years and the result was an incredible number of lamps in a vast array of colors.

In 1965 Massimo and Lella co-founded Unimark International with five other partners including Bob Noorda, famous for his Pirelli-posters. Two years later they started a branch in New York. Unimark soon rose to fame through their corporate identities for, amongst others, American Airlines, Ford, Gillette and Knoll and it quickly became one of the biggest design firms in the world. Being on top didn’t last for that long though. In 1970 the Vignelli’s left the company to start their own business, Vignelli Associate.

The Vignelli’s eventually changed focus to product and furniture design and in 1978 they founded a new company, Vignelli Designs.

During their entire career the Massimo and Lella complemented each other with Massimo mainly focusing on 2D projects like the New York subway map and corporate identities for American Airlines while Lella worked more with their 3D projects.

They both lived by the motto “If you can design one thing, you can design everything” and in the case of Massimo and Lella Vignelli they really could.

Product information

The size 40x50 cm (approx 16x20”) are signed and printed on Hahnemühle Photo Rag Bright White 310g archival paper and are sold in a limited edition of 50 prints.

The size 30x40 cm (approx 12x16”) are printed on Hahnemühle Fine Art Studio Enhanced 210g archival paper.